Inspiration
Noun
inspiration /ɪnspɨˈɹeɪʃən/
- The act of inspiring or breathing in.
- breath
- (physiology) The drawing of air into the lungs, accomplished in mammals by elevation of the chest walls and flattening of the diaphragm.
- The act or power of exercising an elevating or stimulating influence upon the intellect or emotions; the result of such influence which quickens or stimulates; as, the inspiration of occasion, of art, etc.
- A supernatural divine influence on the prophets, apostles, or sacred writers, by which they were qualified to communicate moral or religious truth with authority; a supernatural influence which qualifies men to receive and communicate divine truth; also, the truth communicated.
from Wiktionary
Last night I stood before my altar and took a few deep breaths. I closed my eyes and tried to empty myself, but found myself filled with words and moved to pray regardless. I have never spontaneously spouted poetry; usually when I pray it is conversational, offering thanks and beseeching blessings the same as I would speak, though with more respect and reverence.
I cannot remember the words, but it seemed like their ephemera was part of the magic. Giving voice to the words that are moving you, letting them be heard, and letting them “die” and fade back into the well or cauldron of creativity once more. It’s the fire that moves them into being, quickens the elements of the collective pool of memory, and for a moment you serve as the tree that bridges the Over and Underworlds in the temporary Midrealm.
The thing that scared me most was when I was praying for the Gods not only to see me and aid me but also to “forget” me. When I came to that part of the ecstatic prayer I choked and had to pause, repulsed, waiting for an explanation. Why was I asking to be forgotten?
There was something filling me at the edge of my mind, reminding me of my mortality and how, like these words that will be forgotten after their purpose has been fulfilled, I will also fade back into nothing after I do what I am here to do: live. Of course the identity/ego we create for ourselves with dissolve when we do, and the Gods will not remember us as Lindevi or whoever (our egotistical selves/identity) but as their children collectively. The relationship becomes abstract: the energy goes on, though the exchange has changed.
The past and future that constructs us will no longer have a reference point, and there will only be the Now again, until I am renewed into another body.
The Midrealm stands, subjective to the objective realities of Above and Below, being shaped by them and destroyed by Them, the conflicting bodies of Chaos and Cosmos.
I picked up my prayer again, scared but resolved, until I came to its end. With that I inclined my head and thanked the Powers, feeling perhaps a little more sure of my footing on this new path.
One of these days I will have the courage to offer up my voice as an offering. To sing for my Gods a song of prayer, full of intention and praise, as opposed to the little vocal exercises I have been to give to Them during the day, in the car or at my desk. I feel shivers down my spine and wonder if I’m just imagining things, or if is an actual response from SomeOne/Thing.
But it will be some time before I learn the words, the melodies. There is definitely something powerful about certain “riffs” that I have heard, a sort of permanence and timelessness that has affected me since I was young. You hear a song and instantly are transported back to a childhood memory that doesn’t exists, and are elated. “I must have heard this as a child, because it resonates with me so thoroughly, it’s like I’ve been searching for the notes my whole life and have finally heard them again.” I have identified some of those sacred melodies in modern songs, but it scares me to offer these parts that have been used in such mundane ways. But there’s something about them, that’s for sure. I want to weave these parts into perhaps my own song, or songs, but will need some more training before I can do so.
To that end I’ve decided I need to learn Old English. It shouldn’t be that hard, given the similarities to my own language, but it would set certain lyrics apart from the mundane, find a common ground between the Gods of my culture and me. I will have to experiment and give serious thought to the difference between praying in English and praying in the Old Tongue. There are certainly arguments to be had both ways.
Maybe, just maybe, it is time to approach Woden, whom I’ve avoided during my devotion to Tiw. Now that I’m not destined for a political path, and have dedicated myself to writing, the tables have likely turned. I am trading the upright sureties of law and order for the fluid gray areas of literature and human life. And perhaps I owe Woden a horn of mead as I begin to tread on his domain.

